{"id":2712,"date":"2021-02-18T21:55:50","date_gmt":"2021-02-18T21:55:50","guid":{"rendered":"https:\/\/www.fundacioraimoniannalisa.com\/discografia\/"},"modified":"2022-04-13T07:29:39","modified_gmt":"2022-04-13T07:29:39","slug":"discography-and-filmography","status":"publish","type":"page","link":"https:\/\/www.fundacioraimoniannalisa.com\/en\/discography-and-filmography\/","title":{"rendered":"Discography and Filmography"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”none” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”home” overlay_strength=”0.5″ gradient_direction=”top_to_bottom” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”straight_section”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”padding-6-percent” column_padding_phone=”inherit” column_padding_position=”top” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” zindex=”100″ gradient_direction=”left_t_to_right_b” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom” delay=”400″ offset=”vc_col-xs-6″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding_tablet=”40″ text_align=”left” min_width_desktop=”60vh” min_width_tablet=”50vw” min_width_phone=”50vw” min_width=”47vh”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” bg_image_animation=”none”][nectar_highlighted_text text_color=”#000000″ style=”text_outline” outline_thickness=”regular” text_outline_color=”#000000″ text=”9vh” custom_font_size=”11vh”]\n

Discography and Filmography<\/h1>\n[\/nectar_highlighted_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding_tablet=”0px” top_padding_phone=”0px” text_align=”left” min_width_tablet=”0px” min_width_phone=”0px” min_width=”47vh”][vc_column_inner column_padding=”padding-9-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” enable_border_animation=”true” bg_image_animation=”none”][vc_column_text]\n

Raimon\u2019s songs played a vital role in the worldwide dissemination of our culture and our fight for rights as a society. His extensive work is one of the main references of our contemporary culture.<\/h6>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.5″ width=”3\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-xs-6″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” min_width_desktop=”75vw” min_width_tablet=”50vw” min_width_phone=”50vw”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ background_image=”401″ background_image_position=”center center” enable_bg_scale=”true” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.5″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”ro-reveal-from-bottom”][divider line_type=”No Line” custom_height=”100vh” custom_height_tablet=”80vh”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”12%” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#dad7c8″ style=”regular_underline” underline_thickness=”3px” delay=”1000″]\n

Discography<\/em><\/a><\/h2>\n[\/nectar_highlighted_text][nectar_highlighted_text color_type=”regular” highlight_color=”#dad7c8″ style=”regular_underline” underline_thickness=”default” delay=”200″]\n

Raimon recorded with: Edigsa<\/em><\/a> (Spain), CBS<\/em><\/a> (France), Discophon<\/em><\/a> (Spain), Ayui A\/M<\/em><\/a> (Uruguay), Am\u00e9rica Nueva<\/em><\/a> (Argentina), Broadside Records<\/em><\/a> (EE.UU.), Le chant du Monde<\/em><\/a> (France), Movieplay<\/em><\/a> (Spain), Ongaku Center<\/em><\/a> (Japan), RCA<\/em><\/a> (Spain), RCA<\/em><\/a> (France), Harmonia Mundi<\/em><\/a> (France), Harmonia Mundi<\/em><\/a> (Spain), RNE<\/em><\/a> (Spain), Auvidis Ib\u00e9rica<\/em><\/a> (Spain), Auvidis<\/em><\/a> (France), Picap<\/em><\/a> (Spain), DiscMedi<\/em><\/a> (Spain), Folkways Records<\/em><\/a> (U.S.A.) and Smithsonian Folkways<\/em><\/a> (EE.UU.).<\/h3>\n[\/nectar_highlighted_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”345″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1963
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Edigsa CM 14
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”484″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1963
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Edigsa CM 27
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”486″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1964
\nTitle:<\/u> Can\u00e7ons del film \u00abLos felices 60\u00bb
\nPublisher and reference:<\/u> Edigsa CM 41
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”537″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1964
\nTitle:<\/u> Disc antol\u00f2gic de les seves can\u00e7ons
\nPublisher and reference:<\/u> Edigsa CM 62 Reissued in LP by PDI with Ref. C-30.0495. Edited on CD by PDI with Ref. F-80.0495 el1992.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”539″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1965
\nTitle:<\/u> Raimon: can\u00e7ons d’amor
\nPublisher and reference:<\/u> Edigsa CM 93
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”541″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1965
\nTitle:<\/u> Fonorama presenta a Raimon
\nPublisher and reference:<\/u> Edigsa\/Fonorama F-44\/44. Published this year despite the fact that the Legal Deposit is on the label as of 1963.
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”549″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1966
\nTitle:<\/u> Raimon a l’Olympia
\nPublisher and reference:<\/u> CBS 62763. Recorded live on 07-06-66. Record released in France.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”547″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1966
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> CBS EP-5727. Disc editat a Fran\u00e7a, M\u00e8xic i Canad\u00e0.
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”554″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1966
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Edigsa CM 132
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1557″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1966
\nTitle:<\/u> Can\u00e7ons de la roda del temps
\nPublisher and reference:<\/u> Edigsa CM 164
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”559″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1967
\nTitle:<\/u> Can\u00e7ons de la roda del temps
\nPublisher and reference:<\/u> CBS 63040. Record released in France.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”561″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1967
\nTitle:<\/u> Raimon en marxa, m\u00f3n en marxa
\nPublisher and reference:<\/u> Conc\u00e8ntric 6060-UC M\u00fasica sola
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1598″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1967
\nTitle:<\/u> Raimon al Palau
\nPublisher and reference:<\/u> Edigsa CM 170
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1599″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1967
\nTitle:<\/u> RAIMON
\nPublisher and reference:<\/u> Edigsa CM 184
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1600″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1967
\nTitle:<\/u> M\u00fasica sola
\nPublisher and reference:<\/u> Edigsa CM 186
\nFormat:<\/u> LP (Reissued on CD by PDI with REF. Z-80.4453 with the title Raimon, m\u00fasica sin palabras<\/u> el 1998)[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1601″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1968
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon 27545
\nFormat:<\/u> EP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1602″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1968
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon S-5037
\nFormat:<\/u> SG[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1603″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1968
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon S-5038
\nFormat:<\/u> SG[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1604″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1968
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon S-5039
\nFormat:<\/u> SG[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1605″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1968
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon S-5040
\nFormat:<\/u> SG[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1607″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1969
\nTitle:<\/u> Sobre la pau \/ Contra la por
\nPublisher and reference:<\/u> CBS63704
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1606″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1969
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon S-5074
\nFormat:<\/u> SG[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1618″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1970
\nTitle:<\/u> per destruir aquell qui l’ha desert
\nPublisher and reference:<\/u> Discophon 30
\nFormat:<\/u> LP. (Published on CD by Discmedi-Blau with ref. DM-3266-02 in 1998) (Published on CD by Dial Discos with Title Veles e Vents and ref. 96410 in 1998)[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1609″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1971
\nTitle:<\/u> Raimon en Montevideo
\nPublisher and reference:<\/u> Ayui A\/M 4B. Record released in Uruguay
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1610″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1971
\nTitle:<\/u> Catalonian protest songs
\nPublisher and reference:<\/u> Broadside Records (EE.UU.) BRS 310
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1611″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1971
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Discophon SC-2107
\nFormat:<\/u> LP. ECD song by Dial Discos with Title Cantarem la vida, re. 96409 in 1998.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1623″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1972
\nTitle:<\/u> Diguem no
\nPublisher and reference:<\/u> Le Chant Du Monde LDX-74469LP. Record released in France.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1621″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1972
\nTitle:<\/u> Raimon en vivo
\nPublisher and reference:<\/u> Am\u00e9rica Nueva L-CPM 101. Record released in Argentina
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1622″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1972
\nTitle:<\/u> Raimon: la noche
\nPublisher and reference:<\/u> Ayui A\/M 10. Record released in Uruguay.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1625″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1974
\nTitle:<\/u> T’adones, amic?
\nPublisher and reference:<\/u> Le Chant du Monde LDX-74523LP. Disc editat a Fran\u00e7a
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1626″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1974
\nTitle:<\/u> A V\u00edctor Jara
\nPublisher and reference:<\/u> Movieplay S-32568.
\nFormat:<\/u> LP. Edited on CD by Fonomusic with ref. CD-1159 in 1992.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1624″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1974
\nTitle:<\/u> Campus de Bellaterra
\nPublisher and reference:<\/u> Movieplay S-32619. Gravat en directe el 30-10-74.
\nFormat:<\/u> LP. Edited on CD by Fonomusic with ref. CD-1160 in 1992.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1627″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1975
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Orlador 54494. It is the LP A V\u00edctor Jara in a special edition for the C\u00edrculo de Lectores and an unpublished cover.
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1628″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1976
\nTitle:<\/u> El recital de Madrid
\nPublisher and reference:<\/u> Movieplay S65014\/15. Recorded live at the Real Madrid Sports Hall on 5-2-76.
\nFormat:<\/u> LP. Edited on CD by Fonomusic with ref. CD-1197-98 in 1993.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1629″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1977
\nTitle:<\/u> Lliurament del cant
\nPublisher and reference:<\/u> Movieplay S-170905\/5
\nFormat:<\/u>\u00a0LP. Edited on CD by Fonomusic with ref. CD-1158 in 1992.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1630″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1977
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> Ongaku Center CFD-003. Record released in Japan
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1631″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1979
\nTitle:<\/u> Raimon
\nPublisher and reference:<\/u> RCA PL-35230. Also published in France with the same reference
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1632″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1981
\nTitle:<\/u> Totes les can\u00e7ons
\nPublisher and reference:<\/u> Belter 2-58001\/10
\nFormat:<\/u> 10 LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1640″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1984
\nTitle:<\/u> Entre la nota i el so
\nPublisher and reference:<\/u> Ariola I-206132
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1641″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1985
\nTitle:<\/u> Raimon canta Espriu<\/a>
\nPublisher and reference:<\/u> Ariola XE-302289
\nFormat:<\/u> LPD[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1642″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1987
\nTitle:<\/u> Pres\u00e8ncies i oblit
\nPublisher and reference:<\/u> Harmonia Mundi. Le Chant du Monde. LDX74872
\nFormat:<\/u> LP[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1643″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1989
\nTitle:<\/u> Raimon canta Ausi\u00e0s March<\/a>
\nPublisher and reference:<\/u> RNE N3-20018-C. Recorded live at the Palau de la M\u00fasica Catalana on 14-03-89.
\nFormat:<\/u> LP. Edited on CD with ref. RNE N3-2018-CD the same year.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1646″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1993
\nTitle:<\/u> Can\u00e7ons
\nPublisher and reference:<\/u> Auvidis A-6190. Record released in France
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1669″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1993
\nTitle:<\/u> Raimon Integral
\nPublisher and reference:<\/u> Auvidis A-6195. 6 CD + a book of 203 pages. Records released in France
\nFormat:<\/u> 6 CD + llibre[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1647″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1997
\nTitle:<\/u> Recitals al Palau
\nPublisher and reference:<\/u> Picap CD-900100-16. Recorded live at the Palau de la M\u00fasica Catalana on 30 and 31 May and 1, 2 and 3 June 1997.
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1648″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1997
\nTitle:<\/u> Can\u00e7ons de mai
\nPublisher and reference:<\/u> Picap 900100-03
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1650″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1999
\nTitle:<\/u> Dotze can\u00e7ons
\nPublisher and reference:<\/u> Discmedi-Blau D;-367-02. Reissue of the singles released in 1968 from the series Discophon-Home
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1649″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 1999
\nTitle:<\/u> Les can\u00e7ons d’amor
\nPublisher and reference:<\/u> Picap 900135-03
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1668″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2000
\nTitle:<\/u> Nova Integral Edici\u00f3 2000
\nPublisher and reference:<\/u> Picap 90 0157. 10 CD + a 304 page book
\nFormat:<\/u> 10 CD + book[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1654″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2003
\nTitle:<\/u> Cl\u00e0ssics i no
\nPublisher and reference:<\/u> Picap 91 0285-03
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1653″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2003
\nTitle:<\/u> Raimon-Salvador Espriu<\/a> . Poesia cantada
\nPublisher and reference:<\/u> Picap 91 0320-03
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1655″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2006
\nTitle:<\/u> Raimon a l’Olympia (2006-1966)
\nPublisher and reference:<\/u> Picap 91048204
\nFormat:<\/u> 2 CD[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1656″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2011
\nTitle:<\/u> Rellotge d’emocions
\nPublisher and reference:<\/u> Picap 910997
\nFormat:<\/u> CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1657″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2012
\nTitle:<\/u> 50. Directe. Gran Teatre del Liceu
\nPublisher and reference:<\/u> Sony 88765498962
\nFormat:<\/u> 2 CD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1658″ animation=”Fade In” hover_animation=”zoom” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” delay=”300″][vc_column_text]Year:<\/u> 2018
\nTitle:<\/u> L’\u00faltim recital
\nPublisher and reference:<\/u> Picap 911337
\nFormat:<\/u> 2 CD + DVD[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”12%” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#fa292a” style=”regular_underline” underline_thickness=”default” delay=”200″]\n
Other recordings<\/u><\/h5>\n[\/nectar_highlighted_text][vc_column_text]>Year:<\/u> 1965. Title:<\/u> Raimon Publisher and reference:<\/u> Balkanton BTM 5829 Disc editat a Bulg\u00e0ria. Format:<\/u> EP.
\n>Year:<\/u> 1968. Title:<\/u> Raimon \u00e0 l’Olympia Publisher and reference:<\/u> Edigsa SD 1 SG. Format:<\/u> SG.
\n>Year:<\/u> 1968. Title:<\/u> Raimon \u00e0 l’Olympia Publisher and reference:<\/u> Edigsa SD 2 SG. Format:<\/u> SG.
\n>Year:<\/u> 1968. Title:<\/u> Raimon Publisher and reference:<\/u> Edigsa SD 3 SG. Format:<\/u> SG.
\n>Year:<\/u> 1968. Title:<\/u> Raimon en directe Publisher and reference:<\/u> Edigsa SD 4 SG. Format:<\/u> SG.
\n>Year:<\/u> 1969. Title:<\/u> Raimon Publisher and reference:<\/u> Monestir de Montserrat. Edici\u00f3 privada no venal autoritzada per l’autor. Gravat en directe Format:<\/u> LP.
\n>Year:<\/u> 1970. Title:<\/u> Veles e vents \/ De nit a casa Publisher and reference:<\/u> Discophon S-5091Format:<\/u> SG.
\n>Year:<\/u> 1981. Title:<\/u> Raimon Publisher and reference:<\/u> Movieplay 173115\/9. Format:<\/u> LP.
\n>Year:<\/u> 1985. Title:<\/u> Raimon canta Publisher and reference:<\/u> Generalitat Valenciana GUEV 001. Edici\u00f3 per a les escoles del Pa\u00eds Valenci\u00e0 Format:<\/u> K7.
\n>Year:<\/u> 1995. Title:<\/u> I despr\u00e9s de creure tant Publisher and reference:<\/u> Audivis Ib\u00e9rica AVI-101 (edici\u00f3 especial per al diari La Vanguardia<\/u>) Format:<\/u> CD.
\n>Year:<\/u> 2002. Title:<\/u> Nova Integral (del 1 al 10) Publisher and reference:<\/u> Picap 91 0227-11, Picap 91 0228-11, Picap 91 0229-11, Picap 91 0230-11, Picap 91 0231-11, Picap 91 0232-11, Picap 91 0233-11, Picap 91 0234-11, Picap 91 0235-19 (2 CD). Format:<\/u> CD.
\n>Year:<\/u> 2002. Title:<\/u> Raimon Publisher and reference:<\/u> Picap 950271-21 Format:<\/u> DVD.
\n>Year:<\/u> 2007. Title:<\/u> Raimon Publisher and reference:<\/u> Smithsonian Folkways Recording Format:<\/u> CD.[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”12%” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”discografia-i-filmografia” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#fa292a” style=”regular_underline” underline_thickness=”default” delay=”200″]\n
Raimon song covers<\/u><\/h5>\n[\/nectar_highlighted_text][vc_column_text]\n
Aix\u00ed com celi qui es veu prop de la mort<\/h6>\n

Maria de Medeiros <\/strong> Pen\u00ednsulas & Continentes <\/em> (Universal, 2010)
\nMiquel Pujado <\/strong> Poemes de cap\u00e7alera <\/em> (Barcanova, 2016)
\nPaco Mu\u00f1oz i Llu\u00eds Miquel <\/strong> Els nostres poetes<\/em> (Picap, 1998)
\nPaco Mu\u00f1oz i Llu\u00eds Miquel <\/strong> Els nostres poetes. D’Ausi\u00e0s March<\/a> als nostres dies <\/em> (ECT, 2000)<\/p>\n

A Joan Mir\u00f3<\/h6>\n

Pannach & Kunert<\/strong> Fluche Seele Fluche<\/em> (Mood Records, 1982) “F\u00fcr Joan Miro”
\nPannach & Kunert<\/strong> F\u00fcr Uns, Die Wir Noch Hoffen<\/em> (Marktkram, 2013) “Vom Rot, Das Brennt” (“D’un roig enc\u00e8s”) Directe a Leipzig 16 i 17 octubre 1976
\nPannach & Kunert<\/strong> F\u00fcr Uns, Die Wir Noch Hoffen<\/em> (Marktkram, 2013) “Vom Rot, Das Brennt” (“D’un roig enc\u00e8s”) Concert a l’Acad\u00e8mia de les Arts el 31 d’octubre de 1977<\/p>\n

Al meu pa\u00eds la pluja<\/h6>\n

Cesk Freixas i Yacine Belahcene<\/strong> Proposta<\/em> (Dmusical, 2017)
\nMirna i Xavi M\u00farcia <\/strong> Aigua<\/em> (Discos a m\u00e0, 2010)
\nRosa Barber\u00e0 <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nVerdcel<\/strong> Petjades. VerdCel canta Raimon<\/em> (Temps Record \/ Bromera, 2010)
\nVerdcel <\/strong> \u00d3rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)<\/p>\n

Andreu, amic<\/h6>\n

Pulpopop<\/strong> GR Pop<\/em> (DiscMedi, 2013)<\/p>\n

Al vent<\/h6>\n

A Grup Vocal \u00ef Marc Sambola <\/strong> Octubre. Can\u00e7ons per la llibertat <\/em> (Rocket Music, 2018)
\nAlbert Moraleda (director) <\/strong> El poble canta <\/em> (Granmusic, 1976)
\nAlbert Montoliu <\/strong> Celler de can\u00e7ons <\/em> (Hit Sound, 2010)
\nAlta Veu <\/strong> Els nostres cantautors <\/em> (Tumbet, 2006)
\n\u00c0lvar Carpi <\/strong> Gr\u00e0cies, Raimon. <\/em> Al vent: 50 anys (SamaRec, 2009)*
\nAmets <\/strong> Gizona <\/em> (Edigsa, 1975)
\nAngelina \u00ef els moderns <\/strong> Gran reserva <\/em> (Natros sols, 2020)
\nBarbaritats <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nBorriana <\/strong> Big Band D’ac\u00ed <\/em> (Bureo M\u00fasiques, 2018)
\nCamilleres. Chorale de Saillagouse <\/strong> Ceret\u00e0nia <\/em> (CK Music, 2002)
\nCesk Freixas <\/strong> La veu dels pobles lliures <\/em> (autoeditat, 2006)
\nCesk Freixas i Pau Alabajos <\/strong> Concert Per La Llibertat <\/em> (1mnium Cultural, 2013)
\nChris The Cat <\/strong> Col\u00b7lectiu Joan Pau Gin\u00e9 3<\/em> (Angelets de Ia Terra, 2012)*
\nCom sona l’ESO <\/strong> Qualsevol nit pot sortir el sol <\/em> (autoeditat, 2014)
\nConsuelo <\/strong> Hueso Si canto <\/em> (Picap, 2016)
\nCoral Cantaires de Caldes<\/strong> Uni\u00f3 Esportiva Caldes: l’himne <\/em> (Gesmedia, 2002)
\nCoral Sant Jordi <\/strong> Can\u00e7ons d’ara<\/em> (Edigsa, 1965)
\nCoro Popular Jabal\u00f3n <\/strong> Cantos de la resistencia espaizola <\/em> (Nevada, 1977)
\nEnderrocks <\/strong> Fills del Xiiquer <\/em> (autoeditat, 2007)
\nEl Belda i el Conjunt Badabadoc <\/strong> Aquesta nit <\/em> (autoeditat, 2008)
\nEls Catalans<\/strong> Independ\u00e8ncia per Catalunya <\/em> (Master Tape Records, 2019)
\nEls 4Z <\/strong> Lluny <\/em> (Edigsa, 1964)
\nEscola Municipal de M\u00fasica de La Jonquera <\/strong> Lajonquera m\u00fasica <\/em> (autoeditat, 2013)
\nGadjo Lolo <\/strong> Col\u00b7lectiu Joan Pau Gin\u00e9 8 <\/em> (Angelets de Ia Terra, 2017)*
\nGemma Rafeques <\/strong> 40 anys de cartells <\/em> (DiscMedi, 2018)
\nHalldor Mar <\/strong> Winds <\/em> (Sat\u00e9lite K, 2014) The wind
\nJazzmatiks <\/strong> Jazzmatiks <\/em> (autoeditat, 2019)
\nJohnny Shadows <\/strong> Ombres catalanes <\/em> (Nat Team Media, 2014)
\nJosep Bar\u00f3 <\/strong> \u00c8xits <\/em> (Edivox, 2004)
\nLes M\u00e3ed\u00e9us <\/strong> Moh\u00e2tros Les Valencianes <\/em> (Proteco Video, 2010) “Im wind” (amb Pau Alabajos, en alemany)
\nManel Camp<\/strong> Can\u00e7\u00f3 <\/em> (Picap, 1998)
\nMessengers<\/strong> Oh happy days. Les millors can\u00e7ons<\/em> (M\u00fasica Global, 2013)
\nMiguel Angel G\u00f3mez Naharro <\/strong> Canciones guerrilleres <\/em> (autoeditat, 2006)
\nWarabi-za <\/a>(Grup japon\u00e9s)<\/strong> (Palau Sant Jordi 1993)<\/p>\n

Can\u00e7\u00f3 de la plenitud del mat\u00ed<\/h6>\n

Coriol\u00e0 <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 de la mort callada<\/h6>\n

Joana Serrat <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 de la mort resplendent<\/h6>\n

Rosa Luxemburg <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 de la vinguda de la tarda<\/h6>\n

Joan Colomo <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 del capvespre<\/h6>\n

Jordi Batiste <\/strong> Fotof\u00f2bia <\/em> (M\u00fasica Global, 2011)
\nBikimel <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*
\nOrquestra Plateria <\/strong> Ballautors <\/em> (PDI, 1990)<\/p>\n

Can\u00e7\u00f3 de les mans<\/h6>\n

Josiana <\/strong> Can\u00e7ons d’amor e de terra <\/em> (Edigsa 1978)<\/p>\n

Can\u00e7\u00f3 del mat\u00ed encalmat<\/h6>\n

Narc\u00eds Perich <\/strong> Celebraci\u00f3 de la Roda del temps<\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 del pas de la tarda<\/h6>\n

Est\u00fapida Erikah <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Can\u00e7\u00f3 del triomf de la nit<\/h6>\n

Empty Cage <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

Cantarem la vida<\/h6>\n

Groupe Octobre <\/strong> Le pays qui veut vivre <\/em> (Disques Droug, 1976)
\nTrio Salt Cl\u00e0ssic <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

Com un puny<\/h6>\n

Artur \u00c0lvarez <\/strong> [Tribut] <\/em> (Molusco Discos, 2017)
\nFrancesc Albero <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)
\nManel Camp <\/strong> Can\u00e7\u00f3 <\/em> (Picap, 1998)
\nSanti Vendrell <\/strong> Concert ac\u00fastic <\/em> (Picap, 2001) “Recull 1” (amb “Com un puny”)
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)
\nVicent Soriano i Miguel Juan <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

Contra la por<\/h6>\n

Coral C\u00e0rmina <\/strong> Contra la por <\/em> (Folklife, 2021) video
\nPannach & Kunert <\/strong> F\u00fcr Uns, Die Wir Noch Hoffen <\/em> (Marktkram, 2013) “Gegen Die Angst”. Directe a Leipzig 16 i 17 octubre 1976
\nPannach & Kunert <\/strong> F\u00fcr Uns, Die Wir Noch Hoffen<\/em> (Marktkram, 2013) “Gegen Die Angst”. Concert a l’Acad\u00e8mia de les Arts el 31 d’octubre de 1977<\/p>\n

Cucuts de rellotge<\/h6>\n

Banda de la S.M. La Vella<\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

De nit a casa<\/h6>\n

Daniel Viglietti <\/strong> En vivo <\/em> (Ariola, 1978) “De noche en casa”<\/p>\n

Desert d’amics<\/h6>\n

Quartet Cl\u00e0ssic <\/strong> X\u00e0tiva interpreta Raimon<\/em> (Ulleye, 2013)*
\nMiquel Abras & Cesk Freixas<\/strong> (M\u00fasica Global, 2013)
\nMunlogs<\/strong> Morir lluitant<\/em> Munlogs Morir lluitant (Musica Global, 1996)
\nN\u00fameros Rojos<\/strong> La ley de la ventaja<\/em> (autoeditat, 2010)
\nOrfe\u00f3n Universitario Valenciano<\/strong> Cien Orfeos <\/em> (Discorama, 1966)
\nOrfe\u00f3 Gracienc<\/strong> Al vent<\/em> (Columbia, 1969)
\nOriol Saltor i Jaume Saltor Nova Can\u00e7\u00f3<\/strong> Dues guitarres<\/em> (DiscMedi, 2018)
\nPau Alabajos<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nPeret<\/strong> Des del respecte I Desde el respeto<\/em> (Sat\u00e9lite K, 2017)
\nQuatre Vents<\/strong> Can\u00e7ons d’un pa\u00eds<\/em> (Krapes, 1995)
\nQuatre Vents<\/strong> Can\u00e7ons d’un pa\u00eds<\/em> (Krapes, 1995) (instrumental)
\nRamiro Segrelles<\/strong> Te acuerdas?<\/em> (Xirivella Records, 1985)
\nRub\u00e9n Dur\u00e0<\/strong> En concert<\/em> (autoeditat, 2013)
\nSherpa <\/strong> H<\/em> (Picap, 2017)
\nSimf\u00f2nica de Cobla i Corda de Catalunya<\/strong> Inoblidables en concert<\/em> (\u00c0udiovisuals de Sarri\u00e0, 2009) “Homenatge a la Nova Can\u00e7\u00f3” (amb “Al vent”)
\nSkalissai<\/strong> Obri els ulls<\/em> (Cambra Records, 2005)
\nSpanish Brass & Carles D\u00e9nia<\/strong> Mira si hem corregut terres…<\/em> (SeedMusic,2019)
\nThe Mierders<\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nThe Moncho Alpuente Experience<\/strong> The Moncho Alpuente Experience<\/em> (El\u00edgeme Discos, 1989)
\nVermut<\/strong> Combo C\u00f2ctel<\/em> (Emina, 2011)
\nZaidecuba<\/strong> Arroz con mango<\/em> (Picap, 2015)
\n4Jutges 4 Gats<\/strong> 14+1 : revisem la Nova Can\u00e7\u00f3<\/em> (DiscMedi, 2013)<\/p>\n

Can\u00e7\u00f3 d’ albada<\/h6>\n

Isaac Ulam<\/strong> Celebraci\u00f3 de la Roda del temps<\/em> (Enderrock Discos, 2013)*
\nVerdcel<\/strong> Petjades. VerdCel canta Raimon<\/em> (Temps Record \/ Bromera, 2010)
\nVerdcel<\/strong> \u00d3rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)**<\/p>\n

Can\u00e7\u00f3 de la mort a l’alba<\/h6>\n

Patch<\/strong> Celebraci\u00f3 de la Roda del temps<\/em> (Enderrock Discos, 2013)*<\/p>\n

Diguem no<\/h6>\n

A Grup Vocal \u00ef Marc Sambola <\/strong> Octubre. Can\u00e7ons per la llibertat<\/em> (Rocket Music, 2018)
\nAlbert Moraleda (director)<\/strong> El poble canta<\/em> (Granmusic, 76)
\nCol\u00b7legi La Salle (Figueres)<\/strong> La Salle Figueres canta a la solidaritat<\/em> (ARTP, 2003)
\nCoral<\/strong> La internacional<\/em> (Apolo Records, 1977)
\nCoro Popular Jabal\u00f3n<\/strong> Cantos de la resistencia espa\u00f1ola<\/em> (Nevada, 1977)
\nEls Catalans<\/strong> Independ\u00e8ncia per Catalunya<\/em> (Master Tape Records, 2019)
\nEls Mariners Del Canig\u00f3<\/strong> De Calella al Vallespir<\/em> (autoeditat, 2006)
\nManel Camp & Polif\u00f2nica de Puig-Reig<\/strong> Pa\u00eds de can\u00e7ons<\/em> (\u00c0udiovisuals de Sarri\u00e0, 2003)
\nSerge Utg\u00e9-Royo<\/strong> Contrechants… de ma m\u00e9moire – Volume 2<\/em> (Edito Hudin 2000)
\nSerge Utg\u00e9-Royo<\/strong> Ib\u00e9ricas<\/em> (Edito Hudin, 2001)
\nV\u00e0ljus<\/strong> Escola<\/em> (autoeditat, 2013)
\nVerdcel \u00ef amics<\/strong> Sota les cunetes. Just\u00edcia!<\/em> (autoeditat, 2018)<\/p>\n

D’un temps, d’un pa\u00eds<\/h6>\n

Albert Moraleda (director)<\/strong> El poble canta<\/em> (Granmusic, 7(5
\nCoral Bell horitz\u00f3<\/strong> Compartint can\u00e7ons<\/em> (Unicornio, 1999)
\nCoral Giner de la S.C. Micalet<\/strong> X\u00e0tiva interpreta Raimon<\/em> (Ulleye, 2013)*
\nCoral Sant Jordi<\/strong> Can\u00e7ons d’ara<\/em> (Edigsa, 1965)
\nCortal Xalesta<\/strong> X\u00e8 aniversari 1973-1983<\/em> (Discobal, 1983)
\nEls Catalans<\/strong> Independ\u00e8ncia per Catalunya<\/em> (Master Tape Records, 2019)
\nGorka Kn\u00f6rr & Natxo Kn\u00f6rr<\/strong> Arimaren zubiak \/ Ponts de l’\u00e0nima<\/em> (Discos a Medida, 2005)
\nJoan Am\u00e9ric & Mari\u00e0 Albero<\/strong> Les Can\u00e7ons de Temps era temps amb \u00c0ngel Casas<\/em> (DiscMedi, 2000)
\nJoan Manuel Serrat<\/strong> Banda sonora d’un temps, d’un pa\u00eds<\/em> (BMG, 1996)
\nLieder C\u00e1mera<\/strong> Can\u00e7\u00f3 Nova vol.1<\/em> (M\u00fasica Global, 2010)
\nOrfe\u00f3 Gracienc<\/strong> Al vent<\/em> (Columbia, 1969)
\nPannach & Kunert<\/strong> F\u00fcr Uns, Die Tir Noch Hoffen<\/em> (Marktkram, 2013)”F\u00fcr Uns, Die Wir Noch Hoffen” (“Per a nosaltres que encara esperem”) Directe a Leipzig 16 i 17 octubre 1976
\nJoan Manuel Serrat<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys<\/em> (Sama-Rec, 2009)
\nSabor de Gr\u00e0cia <\/strong> Gitanos catalans<\/em> (Picap, 2015)
\nSicus<\/strong> Carbonell Sicus, 20 anys amb sabor de rumba<\/em> (Temps Record, 2011)<\/p>\n

El meu poble i jo<\/h6>\n

Komfusi\u00f3<\/strong> Un poble de can\u00e7ons<\/em> (M\u00e9sdemil, 2015)
\nVerdcel<\/strong> \u00d3rbites, poetes i can\u00e7ons<\/em> (Temps Record, 2015)<\/p>\n

Elogi dels diners<\/h6>\n

Miquel Pujad\u00f3<\/strong> Poemes de cap\u00e7alera<\/em> (Barcanova, 2016)
\nNou Romancer<\/strong> Les barbes de Llull<\/em> (Ona Edicions Musicals, 2016)<\/p>\n

He mirat aquesta terra<\/h6>\n

Esther Formosa<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nGent del desert<\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nKomfusi\u00f3<\/strong> Retrobem els or\u00edgens… recuperem la identitat <\/em> (M\u00e9sdemil, 2012)
\nL\u00eddia Pujol<\/strong> Iter Lurninis. Un cam\u00ed orientat <\/em> (Sat\u00e9lite K, 2017)
\nVerdcel<\/strong> Petjades. VerdCel canta Raimon<\/em> (Temps Record I Bromera, 2010)
\nVerdcel<\/strong> \u00d3rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)**<\/p>\n

Inici de c\u00e0ntic en el temple<\/h6>\n

Miquel Gil <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*
\nVerdcel<\/strong> \u00d3rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)**<\/p>\n

Indesinenter<\/h6>\n

Elies Barber\u00e0 i Pau Ortol\u00e0 <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nLa Gossa Sorda<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*\/
\nLa Tresca i la Verdesca<\/strong> Fora son<\/em> (Temps Record, 2004)*
\nMiquel Pujad\u00f3<\/strong> Poemes de cap\u00e7alera<\/em> (Barcanova, 2016)
\nRafa Xamb\u00f3<\/strong> La dansa s’un temps nou<\/em> (Stanbrook, 2021)
\nVerdcel<\/strong> Petjades. VerdCel canta Raimon<\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

Jo vinc d’un silenci<\/h6>\n

Ai Ai Ai<\/strong> El Temps De Sefalina Kaolin<\/em> (AZ Records, 1996)
\nAlbert Sanz<\/strong> Mediterranies<\/em> (Nuba Records, 2016)
\nArrels. Cor de noies<\/strong> Arrels. Cor de noies<\/em> (Lbara Records, 2014)
\nCharli G. Lyn<\/strong> (Youtube, 2012)
\nEls Catarres<\/strong> Paisatges de tinta<\/em> (M\u00fasica Global, 2014)
\nFeliu Ventura<\/strong> Referents<\/em> (Propaganda pel Fet!, 2013)
\nGl\u00f2ria Terricabras.<\/strong> Esperant-te<\/em> (Audiovisuals de Sarri\u00e0, 2010)
\nJes\u00fas Acebedo<\/strong> Batecs al piano<\/em> (Picap, 2017)
\nKomfusi\u00f3<\/strong> Retrobem els or\u00edgens… recuperem la identitat<\/em> (M\u00e9sdemil, 2012)
\nLlu\u00eds Miquel, Paco Mufloz <\/strong> Can\u00e7ons de la can\u00e7\u00f3<\/em> (Ad Produccions, 2003) [intro musical Al vent]\nLola Tortosa <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nManel Camp & Polif\u00f2nica de Puig-Reig<\/strong> Pa\u00eds de can\u00e7ons<\/em> (\u00c0udiovisuals de Sarri\u00e0, 2003)
\nPadya <\/strong> Colilectiu Pau Gin\u00e9 6<\/em> Angelets de la Terra, 2016)*
\nPartidaris <\/strong> Can\u00e7ons per resperan\u00e7a <\/em> (autoeditat, 2018)
\nPep Cruz<\/strong> Trencad\u00eds de lletres<\/em> (Youtube, 2020) Recitat
\nRefugi<\/strong> Vestits nous<\/em> (RGB Suports, 2009)
\nS\u00e1nchez Bros<\/strong> S\u00e1nchez Bros<\/em> (autoeditat, 2021)
\nSanti Vendrell <\/strong> Concert ac\u00fastic <\/em> (Picap, 2001) “Recull 2” (amb “Jo vinc d’un silenci”)
\nSisu<\/strong> Alegria subversiva <\/em> (autoeditat, 2018)
\nTallaferro <\/strong> Tallaferro <\/em> (Nera Edicions, 2011)
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera 2010)
\nVerdcel<\/strong> Sota les cunetes. Just\u00edcia! <\/em> (autoeditat, 2018)
\nSuu <\/strong> Jo vinc d’un silenci <\/em> (Parlem, 2021)video<\/p>\n

Just abans de laudes<\/h6>\n

Meritxell Gen\u00e9 <\/strong> Celebraci\u00f3 de la Roda del temps <\/em> (Enderrock Discos, 2013)*<\/p>\n

La mar respira calma<\/h6>\n

\u00d3scar Briz <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys (<\/em> (SamaRec, 2009)*
\nVerdcel <\/strong> Petjades .VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)
\nVerdcel <\/strong> \u00d2rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)**<\/p>\n

La medecina<\/h6>\n

Bordes Libres <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

La pedra<\/h6>\n

Mar\u00eda Jos\u00e9 Peris<\/strong> X\u00e0tiva interpreta Raimon<\/em> (Ulleye, 2013)*<\/p>\n

Lo jorn ha por<\/h6>\n

El Cau del Llop <\/strong> \u00c0nima negra <\/em> (Art del so, 2005) “Lo jorn ha por (Tango
\n????<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys<\/em> (SamaRec, 2009)*<\/p>\n

Molt lluny<\/h6>\n

Verdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

No em pren aix\u00ed<\/h6>\n

Paco Juan <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

No pot lo m\u00f3n<\/h6>\n

Paco Mu\u00f1oz i Llu\u00eds Miquel <\/strong> Els nostres poetes <\/em> (Picap, 1998)
\nPaco Munoz i Llu\u00eds Miquel <\/strong> Els nostres poetes. D Ausi\u00e0s March<\/a> als nostres dies<\/em> (EGT, 2000)<\/p>\n

Oh, desig de can\u00e7ons<\/h6>\n

Rapsodes <\/strong> Pessics i pessigolles <\/em> (Mesdemil, 2014)
\n????<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys<\/em> (SamaRec, 2009)*<\/p>\n

Pa\u00eds Basc<\/h6>\n

Verdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

Parlant-me de tu<\/h6>\n

Dyango <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*<\/p>\n

Pensament<\/h6>\n

Manolo Miralles <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

Perqu\u00e8 ning\u00fa no em contar\u00e0 els seus somnis<\/h6>\n

Verdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

Per ser cantada en la meva nit<\/h6>\n

Anita Miltoff <\/strong> Celebraci\u00f3 de la Roda del temps<\/em> (Enderrock Discos, 2013)*<\/p>\n

Punxa del temps<\/h6>\n

Odi <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

Qui ja ho sap tot<\/h6>\n

Pannach & Kunert <\/strong> F\u00fcr Uns, Die Wir Noch Hoffen <\/em> (Marktkram, 2013) “Wenn das Volk tanzt, m\u00fcsst ihr gehen” (“Quan la gent balla, has de marxar”). Concert a l’Acad\u00e8mia de les Arts el 31 d’octubre de 1977<\/p>\n

Quan creus que ja s’acaba<\/h6>\n

Milford Mocs & Gunther <\/strong> Cucs Cad\u00e0vers en estat avan\u00e7at de descomposici\u00f3<\/em> (Picap, 2011)
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)
\nVerdcel <\/strong> Sota les cunetes. Just\u00edcia! <\/em> (autoeditat, 2018)<\/p>\n

Si em mor<\/h6>\n

Marina Rossell <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)`<\/p>\n

Si com lo taur<\/h6>\n

Verdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)
\nMilford Mocs & Gunther <\/strong> Cucs Cad\u00e0vers en estat avan\u00e7at de descomposici\u00f3<\/em> (Picap, 2011)
\nVerdcel <\/strong> \u00d3rbites, poetes i can\u00e7ons <\/em> (Temps Record, 2015)<\/p>\n

Si un dia vols<\/h6>\n

Joan & Jos\u00e9<\/strong> Wir Singen Ein Neues Lied<\/em> (Eterna, 1969)*
\nEls 4Z<\/strong> L’arbre <\/em> (Edigsa, 1966)
\nJemima Zeller<\/strong> Un nome, un senso <\/em> (Fonit Cetra, 1974) “se un giorno vuoi”
\nLos Master’s<\/strong> Cuando me enamoro <\/em> (Fonal, 1968)<\/p>\n

Sobre la pau<\/h6>\n

M\u00e0rius Asensi<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)* \/
\nPannach & Kunert<\/strong> F\u00fcr Uns, Die Wir Noch Hoffen <\/em> (Marktkram, 2013) “\u00fcber Den Frieden”. Concert a l’Acad\u00e8mia de les Arts el 31 d’octubre de 1977
\nPannach & Kunert<\/strong> Fluche Seele Fluche <\/em> (Mood Records, 1982) “\u00dcber Den Frieden”
\n“Schlachtvieh<\/strong> Ein Rock-Oratorium Gegen Den Krieg <\/em> (Kanon, 1980) Friedenslied (“”Can\u00e7\u00f3 de la pau””) <adaptaci\u00f3 lliure de la lletra, no de la m\u00fasica>”<\/p>\n

Societat de consum<\/h6>\n

Jordi Juan <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*<\/p>\n

Soliloqui solipsista<\/h6>\n

Albert Amarg\u00f3s Trio intim <\/strong> De catalans \u00ef valencians <\/em> (Aladid Records, 2019)
\nBig Band de La Nova <\/strong> X\u00e0tiva interpreta Raimon<\/em> (Ulleye, 2013)*<\/p>\n

Som<\/h6>\n

Alba! <\/strong> Els eixes de la carreta <\/em> (Philips, 1964)
\nCamilo Sesto <\/strong> In\u00e8dita <\/em> (Ariola, 1984)<\/p>\n

So qui s\u00f3<\/h6>\n

Miquel Gil <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nPaco Mu\u00f1oz i Llu\u00eds Miquel<\/strong> Els nostres poetes <\/em> (Picap, 1998)
\nPaco Mu\u00f1oz i Llu\u00eds Miquel<\/strong> Els nostres poetes. D Ausi\u00e0s March<\/a> als nostres dies<\/em> (EGT, 2000)
\nXavier Bar\u00f3 <\/strong> I una fada ho trasmuda <\/em> (Sat\u00e9lite K, 2016)<\/p>\n

T’adones amic<\/h6>\n

Terradefocs<\/strong> X\u00e0tiva interpreta Raimon<\/em> (Ulleye, 2013)*<\/p>\n

Terra llistons blancs<\/h6>\n

Verdcel <\/strong> \u00d3rbites, poetes i can\u00e7ons<\/em> (Temps Record, 2015)**<\/p>\n

T’he conegut sempre igual<\/h6>\n

4Jutges 4 Gats <\/strong> 14+1 : revisem la Nova Can\u00e7\u00f3<\/em> (DiscMedi, 2013)<\/p>\n

Treballar\u00e9 el teu cos<\/h6>\n

Joanjo Bosk amb l’Orquestra de Cambra de l’Empord\u00e0<\/strong> Can\u00e7ons de la Can\u00e7\u00f3. D’un temps, d’un pa\u00eds <\/em> (CK Music, 2008)
\nMoncho <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nVerdCel <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

Una vaca amb un vedellet en bra\u00e7os<\/h6>\n

Jorn Simen Overli & Frode Nyvold <\/strong> Tal ikke Bondemaal og spyt ikke paa Gulvet! Songar og viser fr\u00e0 Oksitania, Baskarland, Katalonia – Tre forbodne nasjonar <\/em> (Kolibri 1979) “Oksekalven”
\nPep Gimeno ‘Botifarra’ \u00c0lvar Carpi <\/strong> Gr\u00e0cies, Raimon. A1 vent: 50 anys <\/em> (SamaRec, 2009)*
\nSara Sambola i Agharta <\/strong> Aura <\/em> (autoeditat, 2017)<\/p>\n

Veles e vents<\/h6>\n

Manel Camp & Polif\u00f2nica de Puig-Reig<\/strong> Pa\u00eds de can\u00e7ons <\/em> (\u00c0udiovisuals de Sarri\u00e0, 2003)
\nEntreveus <\/strong> Deu <\/em> (Blau, 2015)
\nEva D\u00e9nia Trad Quartet<\/strong> Un altre cantar<\/em> (Comboi Records, 2013)
\nJosep Carreras <\/strong> T’ estim i t’estimar\u00e9 <\/em> (DiscMedi, 2005)
\nJonatan Penalba <\/strong> Reversions <\/em> (Temps Record, 2020)
\nLieder C\u00e1mera <\/strong> Can\u00e7\u00f3Nova vol.1 <\/em> (M\u00fasica Global, 2010)
\nMarc Parrot <\/strong> 50 anys de la Nova Can\u00e7\u00f3<\/em> (M\u00fasica Global, 2009)
\nPaco Mu\u00f1oz i Llu\u00eds Miquel <\/strong> Els nostres poetes<\/em> (Picap, 1998)
\nPaco Mu\u00f1oz i Llu\u00eds Miquel <\/strong> Els nostres poetes. D’Ausi\u00e0s March<\/a> als nostres dies<\/em> (EGT, 2000)
\nJosep Carreras <\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nToti Soler & Ester Formosa<\/strong> Gr\u00e0cies, Raimon. Al vent: 50 anys <\/em> (SamaRec, 2009)*
\nQuique Giner \u00ef Fernan Alonso <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)*
\nToti Soler & Ester Formosa<\/strong> M’ aclame a tu <\/em> (Peque\u00f1as cosas, 1997)
\nVerdcel <\/strong> Petjades. VerdCel canta Raimon <\/em> (Temps Record \/ Bromera, 2010)<\/p>\n

Fragments de can\u00e7ons<\/h6>\n

Banda de M\u00fasica La Lira Ampostina<\/strong> M\u00fasica de compositors catalans <\/em> (Tram, 1999)
\nMiguel Juan <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)* “Popurri raimoni\u00e0” Suite Raimon
\nOrquestra de la S. M. La Nova <\/strong> X\u00e0tiva interpreta Raimon <\/em> (Ulleye, 2013)* “Tribut a Raimon”
\nThe London Symphony Orchestra <\/strong> Can\u00e7ons de Catalunya <\/em> (Zafiro, 1983) A Raimon (“Al Vent”, “Som”, “La Pedra”)[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”6%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#dad7c8″ style=”regular_underline” underline_thickness=”3px” delay=”1000″]\n

Filmography<\/em><\/a><\/h2>\n[\/nectar_highlighted_text][nectar_highlighted_text color_type=”regular” highlight_color=”#fa292a” style=”regular_underline” underline_thickness=”default” delay=”200″]\n

Raimon’s television appearances and participations or collaborations in films, television programmes, documentaries or videoclips of some of his songs.<\/span><\/h4>\n[\/nectar_highlighted_text][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n
>There are no images of Raimon on the TVE coverage of the award ceremony held at the V Mediterranean Song Festival held in 1963, where he received first prize for Andreu and Borrell\u2019s song \u201cSe\u2019n va anar\u201d .
\n>In 1964 Raimon sang two songs on TVE in the programme Gran Parada: “Al vent” and “Diguem no”.
\n>Raimon was banned from TVE between 1964 and 1975.
\n>15-4-1966 \u201cPanorama\u201d. Journaliste Jean Vidal et G\u00e9rard Chouchan \u201cRaimon\u201d Archive of the Institut National de l\u2019Audiovisuel in Par\u00eds \u201cINA\u201d
\n>1968 “Spagna ’68”, clandestine report by Unitelefilm (Rome) with images of Raimon singing at the Universidad Complutense of Madrid.
\n>25-1-1969 “Forum Musique” Realisateur Raoul Sangla (INA)
\n>28-8-1969 and 6-9-1969 “Chansons et \u00e9crivains hors du temps” Realisateur Pierre Koralnik (INA)
\n>2-2-1970 “Journal televis\u00e9” “Le chanteur Raimon \u00e0 Montpellier” (INA)
\n>25-11-1970 \u201c\u00c2 el affiche du monde\u201d Journaliste Claude Fleuter \u201cRaimon vivre \u00e0 Barcelone\u201d (INA)
\n>1975 TVE Catalu\u00f1a images of the recital at the Palau d’Esports in Barcelona
\n>1976 TVE Images of the recital at the Real Madrid Sports Pavilion
\n>1-3-1977 TVE Catalu\u00f1a “Recital Raimon”, produced by Sergi Schaaf
\n>6-6-1978 TVE Catalu\u00f1a “Raimon un assaig de cultura popular” (script by Joan Fuster<\/a> and production by Merc\u00e8 Vilaret)
\n>21-9-1979 TVE Catalu\u00f1a “Vost\u00e9 pregunta” (directed by Joaquim M. Puyal)
\n>10-1-1980 TVE Catalu\u00f1a “Cita cono…” Interview with Aurora Claramunt
\n>14-6-1981 \u201cMosa\u00efque\u201d (INA)
\n>9-12-1981 TVE Catalu\u00f1a \u201cTerenci a la fresca\u201d (Raimon interview)
\n>8-5-1983 TVE news. News of the recital at the Teatro Espa\u00f1ol in Madrid.
\n>8-6- 1983 TVE Catalu\u00f1a \u201cTal com s\u00f3n\u201d, produced by Jaume Serrats Oll\u00e9
\n>18-12-1983 TV3 \u201cRaimon canta Espriu<\/a>\u201d Teatre Lliure, May 1983 (interview at home with images of Salvador Espriu<\/a> )
\n>1-2-1984 TVE \u201cRaimon hoy\u201d (script by Manuel V\u00e1zquez Montalb\u00e1n, directed by Alfonso Ungr\u00eda)
\n>10-5-1984 TVE Catalu\u00f1a \u201cPer molts anys\u201d, Rosa Maria Sard\u00e0 interviews Raimon
\n>24-5-1984 Buenas noches \u201dMercedes Mil\u00e0 presents Raimon\u201d
\n>1-7-1984 TVE \u201cLa ventana electr\u00f3nica\u201d
\n>5-12-1984 TV3 \u201cRaimon al Tinell\u201d
\n>15-2-1986 TVE \u201cInforme Semanal; Raimon – De un tiempo, de un pa\u00eds\u201d journalist Rosa Maria Artal
\n>6-4-1986 TV3 \u201cIdentitats\u201d programme, J. M. Espin\u00e0s interviews Raimon
\n>1-5-1987 TV3 \u201cRaimon. Presencies i oblit\u201d (Palau de la M\u00fasica Catalana Barcelona)
\n>23-9-1987 TVE \u201cEspecial Raimon\u201d (Full \u201cFestes de la Merc\u00e8\u201d recital performed at the Plaza de la catedral in Barcelona with the Ciutat de Barcelona Orchestra conducted by Albert Argudo) 23-9-1987 TVE Catalu\u00f1a \u201cLa lluna\u201d programme; Julia Otero interviews Raimon
\n>6-12-1987 TV3 \u201cNo passa res\u201d (Raimon with La Trinca)
\n>23-1-1989 TVE Catalu\u00f1a \u201cRaimon canta Ausi\u00e0s March<\/a> \u201d (Municipal Orchestra of Valencia directed by Manuel Galduf)
\n>22-12 1990 TVE Catalu\u00f1a \u201cRaimon 50 anys\u201d
\n>November 1991 Raimon starts the weekly programme \u201cLiteral\u201d (32 programmes in which Raimon interviews prominent literary figures)
\n>14-9-1991 TV3 Fiesta revista Treball \u201cRecital al Mercat del Born\u201d
\n>1-1-1992 TVE News. News of Raimon’s recital in Hiroshima
\n>18-4-92 TVE News, \u201cRaimon\u2019s second recital in Tokyo\u201d
\n>Mayo 1992 NHK City Information. Images of Raimon in Tokyo and Hiroshima
\n>23 -4-1993 TV3 and TVE (recorded repetition on 2nd channel) \u201cRaimon. 30 anys d\u2019Al vent\u201d (Palau Sant Jordi Barcelona)
\n>Raimon. 30 anys d\u2019Al vent. Recording of live concert held on April 23rd, 1993 at Palacio Sant Jordi, Barcelon. Produced by TV3, edited by Horus.
\n>24-4-1993 TVE Weekly Report. Report entitled Raimon 30 anys d\u2019Al vent
\n>9-5-1993 TV3 \u201cTres senyores i un senyor\u201d. Raimon interview.
\n>21-10-1993 \u201cLa Lloll\u201d (Raimon interview)
\n>19-11-1993 TVE Catalu\u00f1a News. News of \u201cRaimon m\u00e9s a prop\u201d recitals held at the Teatre l\u2019Espai in Barcelona
\n>16-2-1994 TV3 Daily News. Raimon is awarded the \u201cPalmares des palmares de la Nouvelle Acad\u00e9mie du Disque: Grand prix International de la chanson \u00e0 la Integral\u201d in Paris.
\n>15-3-1994 TV3 \u201cUn tomb per la vida\u201d Journalist Joaquim M. Puyal
\n>21-12-1994 Canal 9 \u201cLa nit de Raimon\u201d
\n>29-9-1995 TV3 Daily News. Raimon\u2019s Recital in Toronto.
\n>26-10-1995 TVE News. Raimon tours the United States.
\n>25-10-1995 TVE Daily News. Raimon\u2019s Recital in New York.
\n>15-4-1997 TV3 Daily News. Raimon starts to tour Spain.
\n>23-4-1997 TVE News. Interview and images of the rehearsal performance in Madrid of the \u201cCan\u00e7ons de mai, can\u00e7ons de sempre\u201d tour in Spain (Avui Newspaper)
\n>11-6-1997 TV3 \u201cRaimon a X\u00e0tiva\u201d (Avui Newspaper – Bull ring)
\n>31-5-1997 TVE Catalu\u00f1a News. News of performances held at the Palau de la M\u00fasica Catalana in Barcelona.
\n>9-8-1997 Euskal Telebista. Raimon\u2019s participation in the concert to commemorate Orfe\u00f3n Donostiarra\u2019s hundredth anniversary.
\n>28-4-1997 Canal Plus \u201cLo m\u00e1s +\u201d \u201cRaimon\u201d
\n>10-9-1997 TVE \u201cUnidos por la paz y la libertad. Homenaje a Miguel \u00c1ngel Blanco\u201d (Las Ventas Bull Ring in Madrid)
\n>1997 TVE Carlos Herrera interviews Jos\u00e9 Sacrist\u00e1n about Raimon in Las Ventas
\n>11-12-1997 TV3 \u201cL\u2019any Raimon\u201d
\n>3-6-1999 TVE La Clave Programme \u201cJos\u00e9 Luis Balb\u00edn descifra las claves de Raimon\u201d
\n>28-6-1999 TVE Continued Programme \u201cRecital Raimon en la inauguraci\u00f3 del Festival del Grec a Barcelona\u201d
\n>14-11-1999 TV3 Daily News. Raimon is awarded the Premio Ondas prize.
\n>8-12-2000 TV3 \u201cPresentaci\u00f3 de la Nova Integral\u201d Palau de la M\u00fasica Catalana in Barcelona
\n>7-1-2001 TVE \u201cNegro sobre blanco\u201d. Raimon interviewed by S\u00e1nchez Drag\u00f3
\n>24-7-2002 TV3 Daily News. \u201cRecital Raimon en el Festival de Almagro\u201d Report.
\n>11-12-2002 TV3 \u201cRaimon al TNC \u2013 Cl\u00e0ssics i no\u201d
\n>13-2-2004 TVE Catalu\u00f1a News \u201cRaimon canta Salvador Espriu<\/a> \u201d (Auditori de Barcelona)
\n>13-10-2005 TVE News, Naples hosts \u201cVeles e Vents\u201d event to celebrate the Catalan culture.
\n>13-10-2005 TV3 News. Raimon\u2019s Recital in Naples (Italy) \u201cPoesie e canzoni\u201d
\n>27-1-2006 TV3 Daily News. \u201dRaimon 4 recitales diferentes\u201d (Teatre Nacional in Catalunya)
\n>13-06-06 TVE Report of Raimon\u2019s performance at the Olympia in Paris (Journalist \u00c1ngel G\u00f3mez Fuentes)
\n>22-5-2008 TV3 Daily News. Raimon at the Universidad Complutense in Madrid
\n>22-5-2008 TV Universidad Complutense of Madrid \u201cRaimon 1968-2008\u201d
\n>15-6-2008 TV3 \u201cRaimon en el castillo\u201d (Montju\u00efc, Barcelona)
\n>11-9-2010 TV3 \u201cRaimon al castell\u201d (Gran Teatre X\u00e0tiva. Produced by \u00c0ngel Biescas)
\n>25-7-2012 TV3 \u201cMestres de Mestres\u201d programme. Produced by Albert Vinyoli (Raimon speaks about his teachers)
\n>30-11-2012 TV3 recital at Liceu de Barcelona. Produced by Llu\u00eds Manyoses
\n>28-5-2017 TV3 \u201cRaimon. Comiat al Palau\u201d
\n>29-12-2018 \u00c0 Punt. Retransmission \u201cRaimon. Comiat al Palau\u201d<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”4%” bottom_padding=”4%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#dad7c8″ style=”regular_underline” underline_thickness=”3px” delay=”1000″]\n

Clips<\/em><\/a><\/h2>\n[\/nectar_highlighted_text][vc_column_text]\n
>1989\u00a0 TVE\u00a0\u00a0 \u201cNo em pren aix\u00ed com al petit vailet\u201d
\n<\/em>>1993 TVE Catalu\u00f1a \u201cJo vinc d\u2019un silenci\u201d \u201cVeles e vents\u201d <\/em>(Produced by Merc\u00e8 Vilaret)
\n>1994 Canal Nou\u00a0 \u201cVeles e vents\u201d
\n<\/em>>1997 TV3 \u201cSoliloqui solipsista\u201d (<\/em>Produced by Xavier Figueras)
\n>2008 Universidad Complutense in Madrid \u201c18 de maig a la Villa\u201d \u201cDiguem no\u201d \u201cAl vent\u201d \u201cAnimal d\u2019esperances i mem\u00f2ria\u201d \u201cJo vinc d\u2019un silenci\u201d<\/em><\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” bottom_padding=”10%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”philosophy” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” enable_animation=”true” animation=”fade-in-from-bottom”][nectar_highlighted_text color_type=”regular” highlight_color=”#dad7c8″ style=”regular_underline” underline_thickness=”3px” delay=”1000″]\n

Films<\/em><\/a><\/h2>\n[\/nectar_highlighted_text][vc_column_text]\n
>Jaime Camino. Los felices sesenta. 1963. (Songs).
\n>Carles Dur\u00e1n. Raimon. 1965 Documentary
\n>Lloren\u00e7 Soler. Raimon d\u2019un temps d\u2019un pa\u00eds 1968
\n>Josep Maria Forn. La respuesta 1969 (songs)
\n>Francesc Bellmunt. La nova can\u00e7\u00f3 1975
\n>Richard Dindo. Raimon. Chansons contre la peur 1977
\n>Extensive report on Raimon\u2019s tour of Japan. Filmoteca de Catalunya Background Raimon DVD No. 13 1992
\n>Documentary Raimon 2 DVD, script: Ferran Riera
\n>Xavier G. Ubiergo Ed.: Picap 2002
\n>Carles Balagu\u00e9. De Madrid a la lluna 2006<\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”none” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” id=”home” overlay_strength=”0.5″ gradient_direction=”top_to_bottom” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”straight_section”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”padding-6-percent” column_padding_phone=”inherit” column_padding_position=”top” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self”…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2712","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/pages\/2712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/comments?post=2712"}],"version-history":[{"count":22,"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/pages\/2712\/revisions"}],"predecessor-version":[{"id":3363,"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/pages\/2712\/revisions\/3363"}],"wp:attachment":[{"href":"https:\/\/www.fundacioraimoniannalisa.com\/en\/wp-json\/wp\/v2\/media?parent=2712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}